Canon unveils 35mm full-frame EOS C400 camera for filmmakers with 6K 60P recording, extended 102,400 ISO, AI autofocus, and IP streaming

Canon Introduces the EOS C400 6K Full-Frame Cinema Camera for Filmmakers and the New RF-Mount CINE-SERVO Lens

Canon has officially unveiled its latest addition to the world of cinematography: the Canon EOS C400. This camera is designed to cater to the needs of filmmakers and live production creators who are seeking high-quality, full-frame images. Alongside the camera, Canon has launched an RF-mount version of its celebrated CINE-SERVO 17-120mm lens, marking an expansion in their cinema lens lineup.

The EOS C400 is Canon’s fresh milestone, boasting a 6K full-frame, back-illuminated CMOS sensor and a native RF mount. The sensor integrates triple-base ISO capabilities, with three distinctive ISO values—800, 3200, and 12,800—enhancing the camera’s performance across diverse lighting scenarios. The sensor’s back-illuminated stacked structure significantly improves light-capturing efficiency, which is excellent for extending the camera’s capabilities in autofocus with the introduction of Dual Pixel CMOS Autofocus II technology. This brings faster readout speeds and optimizes 4K image quality through 6K oversampling.

For recording, the premium Canon EOS C400 can capture 6K full-frame footage at up to 60 frames per second (fps) in 12-bit Cinema RAW Light. Users have the choice among different sensor modes, with the ability to record 4K RAW up to 120 fps and 2K RAW up to 180 fps. The update in Cinema RAW Light offers various recording modes suitable for different preferences in file size and workflow demands. Additionally, the camera supports XF-AVC and the latest codecs, XF-AVC S and XF-HEVC S, which record in MP4 format while preserving essential metadata.

The construction of the EOS C400 is equipped for extensive production use. With dedicated terminals for lens and broadcast connection, a range of outputs and inputs, including mini-XLR, 12G-SDI, full-size HDMI, and advanced connectivity options like built-in Wi-Fi and Ethernet, the camera positions itself as a formidable contender for live productions. It comes with support for IP streaming and remote control capabilities via Ethernet, Wi-Fi, or the Canon Remote Control applications. Furthermore, for VR enthusiasts, the camera is compatible with the Canon RF5.2mm F2.8 L dual fisheye lens, priming it for 180-degree VR content creation.

Canon’s new CINE-SERVO 17-120mm lens, designed with an RF-mount, complements the EOS C400’s signature features like autofocus, distortion correction, and metadata output. The PL mount version of the lens also supports additional data interfaces.

In addition to the camera and lens, Canon has introduced the MOUNT ADAPTER PL-RF, which allows filmmakers to utilize a broad array of PL mount lenses with the EOS C400 camera, maintaining communication for metadata between the lens and camera system.

Aspiring and professional cinematographers can look forward to the availability of the EOS C400 in September 2024, at an estimated retail price of $7,999.00. The CINE-SERVO lens is set to hit the market the following month, in October 2024, priced at $23,850.00. The MOUNT ADAPTER PL-RF is expected to be released alongside the camera in September 2024 for a price of $1,599.00.

Canon U.S.A., Inc., known for its vast contributions to the digital imaging market, continues to uphold its commitment to innovation and environmental responsibility. This release strengthens the company’s cinema offerings and reinforces its authority in the realm of imaging solutions. For those seeking the latest advancements in Canon’s cinema products and other industry-leading equipment, more information can be acquired by visiting Canon’s official website.